I currently have 3 films entering post-production. Special previews and/or scripts, press kits, and look books available upon request.

The first is a speculative documentary set in and around World War II, focusing on figures who, amid some of the era’s worst atrocities, prospered like never before, only to retreat quietly into obscurity once the chaos subsided, forming the obscured backbone of subsequent regimes. On the level of production, the film underlines why independent cinema is so invigorating (while also signaling the limits of animation and desktop-based filmmaking, the cul-de-sac where low-budget cinema appears to be heading). For this project, we filmed on tanks and horses, in UNESCO-protected castles and cathedrals, across three countries, all on a small budget.

The second is a short film inspired by the erudite eye of Danilo Kiš, exploring how quasi-ordinary people are remembered, and how their memories and experiences become archived. Kiš was writing at a time when infinite storage was merely a seed of an idea; today, the most effective form of control seems to be the opposite of prohibition-- not withholding, but recording everything, until the sheer exhaustion of abundance ensures that no one will review, critique, or erase (or, put differently, valorize).

​And the third film is an experimental documentary employing only security camera footage to explore the entwined realities of modern surveillance and the struggles of caring for loved ones with Alzheimer’s.

Further information about my ongoing projects can be found below (click on individual images). I invite correspondence and am always eager to engage in discussions or collaborations, whether on specific projects or on art in general.

Scripts, special previews, look books, and press materials is available upon request.